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The moments of levity that one experiences invariably have Sathyaraj in them as Kattappa, the trusted commander of both Baahubalis. Rana Daggubati as the scheming villain and Nassar as his father are functionally good. She epitomises a character in Henry James' The Portrait of a Lady: “Her love of knowledge coexisted with the finest capacity for ignorance.”Īnushka does her bit well, but she was far better in the first part, where she would be the only one hissing at Bhallaladeva. For all the strength she displays as a strong female character in a male-dominated movie, she falls easy prey to hearsay.
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In the initial parts, each twitch of his muscle sends the audience into raptures, but even he couldn't salvage the movie in the post-interval happenings. But the second part is flush with adrenaline and there's a phallic-like symbolism attached to Prabhas right from the word go. But the hollowness creeps in quickly because the story is such a paint-by-numbers revenge drama and in no time the audience will discover that this emperor has no clothes (no pun intended).įor all its flaws, at least Baahubali 1 felt more organic. Right from the titles to the details of the Mahishmati kingdom and the climactic war sequenes, the movie is a visual delight. The VFX effects by Makuta are top-notch and cinematography by Senthil Kumar is awe-inducingly fabulous. Rajamouli constantly tries to dazzle but never moves the audience emotionally. The movie reminded me of what Sigmund Freud once said about the defining characteristic of Vienna: Schein über Sein - looking good is better than being good. He goes offtrack way too often, and by the end we are left huffing and puffing on realising that the whole fuss around Kattappa killing Baahubali was fairly predictable.
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We has been waiting for the journey to a predestined goal, but Rajamouli disappoints.
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For the last 22 months, we always knew that the antagonist was going to die a bad death in the hands of his blood-thirsty nephew. Second half is how righteousness of both Sivagami and Baahubali lets Bhallaladeva unfurl a vortex of tragedies until his nephew (Mahendra Baahubali) returns to avenge for the deaths. A tale of mistaken identities leads Baahubali's near-real mother Sivagami (Ramya Krishna) to have a fit of rage and, instead, she anoints her other son Bhallaladeva (Rana Daggubati) as the king.
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Things pick up a little when Devasena realises the real person behind the unassuming guy in their midst and goes to his kingdom with him. The first 60 minutes of the movie are slow and the comedy track involving Subba Raju as the simple-minded cousin of Devasena barely evokes any laughs. As suggested at the end of the first part, Baahubali 2 hits the ground running with the back story of Amarendra Baahubali (Prabhas) and how before his coronation as king of the ancient city of Mahishmati he meets the love of his life Devasena (Anushka) under the garb of a simpleton. He did make a wild and weird movie, but it ends up being a distended mess. After a decent first part, director S S Rajamouli seems to have got a carte blanche from his producers to let his imagination go unfettered in the second part. The worst in this case is basically 150 minutes and the best is around 20 minutes. Watching Baahubali 2 is like being in a purportedly romantic relationship with a psychotic person who keeps saying “if you can't handle me at my worst, you don't deserve me at my best”.